The Amsterdam theater society Nil Volentibus Arduum, which was founded in 1669 and remained active for some years, was not just a circle meeting regularly to discuss theater theory and practice, but was devoted to discussion of all the arts as well as language theory in relation to society. As far as the Amsterdam theater was concerned, its main purpose was to try to raise the level and provide more of a moral and socially improving direction to the stage. Arguably, (...) also, it had a certain impact on discussion and theorizing about late Dutch Golden Age painting. Two of its most active members, Lodewijk Meyer and Johannes Bouwmeester, were among the closest friends and allies of Spinoza. Opponents and detractors of the society took to associating it in the public mind with the “atheist” Spinoza. This article seeks to understand the theoretical concerns of the society and assess its relationship to its broader Dutch context and to Spinoza and Spinozism. (shrink)

SUMMARYThis article explores how writers from the Dutch Golden Age thought about human contact with that which is elevated far above everyday life. The Dutch Republic offers an interesting context because of the strikingly early use there by seventeenth-century humanists of the Greek concept ὕψος, from Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. Dutch poets also used the (...) Latin sublimis to discuss how mankind constantly aims at that which is far above it, but, despite this, can never entirely be a part of it. Thirdly, protestant writers discuss the concept of the Fear of God by explaining that elevated contact with God should be accompanied by the contrasting emotions of attraction and fear. With reference to the humanist Franciscus Junius, poet Joost van den Vondel and preacher Petrus Wittewrongel, I will discuss how these artistic, literary and religious discourses concerning contact with the sublime are related to one another. (shrink)

Fear, sadness, surprise, anger, lust and love - virtually nothing was more important in the paintings ofthe Golden Age than convincingly depicting human emotions. In this publication, the Frans Hals Museum and Rembrandt expert Gary Schwartz present a selection of masterpieces in which these emotions are sublimely portrayed. According to seventeenth-century connoisseurs, the beauty of a painting was not even half as important as the passions that could be seen in that painting; they formed the soul of the work. (...) Painters such as Rembrandt, Frans Hals, Maerten van Heemskerck and Cornelis van Haarlem were masters at depicting a range of emotions. Their works are presented in a new context - the emotional life - and with a focus on the flourishing scientific study of emotions in our own time. Emotions will be published in conjunction with the first exhibition in the Netherlands to present this essential component of painting. Exhibition: Frans Hals Museum, Haarlem, the Netherlands (11.10.2014-15.02.2015). (shrink)

The Dutch Republic holds a marginal position in the debate on the transition from feudalism to capitalism, despite its significance in the early stage of the development of global capitalism. While the positions of those Marxists who did consider the Dutch case range from seeing it as the first capitalist country to rejecting it as an essentially non-capitalist commercial society, all involved basically accept an image of Dutch development as being driven by commerce rather than real advances (...) in the sphere of production. Their shared interpretation of the Dutch ‘Golden Age’, however, rests on an interpretation of Dutch economic history that does not match the current state of historical knowledge. Rereading the debate on the Dutch trajectory towards capitalism in the light of recent economic historiography seriously challenges established views, and questions both major strands in the transition-debate. (shrink)

In an attempt to solve some serious economic and environmental problems, the Netherlands has embarked on an unique experiment over the past few decades. Based on a tradition of cooperation, consensus building, and democratic self-rule, the Dutch have revitalized a corporatist approach to economic and environmental planning. They refer to the polder model to describe the particular characteristics of this approach. Although the polder model is rooted in the past (i.e., the Golden Age of the 17th-century Dutch (...) Republic), its more recent application in planning efforts finds its start with the Wassenaar Accord in economic planning in 1982. A similar approach was used in environmental planning with the introduction of the first National Environmental Policy Plan in 1989. The key feature of the environmental plan is a covenant between business and government. In this article, the author compares the application of the polder model in both areas and concludes that there are serious challenges ahead for its survival. The article attempts to assess whether the model would work in the United States and why the approach used by the Dutch is the favored approach of Environmental Protection Agency chief Christie Whitman. (shrink)

The story of one of the most important—and incendiary—books in Western history When it appeared in 1670, Baruch Spinoza's Theological-Political Treatise was denounced as the most dangerous book ever published—"godless," "full of abominations," "a book forged in hell... by the devil himself." Religious and secular authorities saw it as a threat to faith, social and political harmony, and everyday morality, and its author was almost universally regarded as a religious subversive and political radical who sought to spread atheism throughout Europe. (...) Yet Spinoza's book has contributed as much as the Declaration of Independence or Thomas Paine's Common Sense to modern liberal, secular, and democratic thinking. In A Book Forged in Hell, Steven Nadler tells the fascinating story of this extraordinary book: its radical claims and their background in the philosophical, religious, and political tensions of the Dutch Golden Age, as well as the vitriolic reaction these ideas inspired. It is not hard to see why Spinoza's Treatise was so important or so controversial, or why the uproar it caused is one of the most significant events in European intellectual history. In the book, Spinoza became the first to argue that the Bible is not literally the word of God but rather a work of human literature; that true religion has nothing to do with theology, liturgical ceremonies, or sectarian dogma; and that religious authorities should have no role in governing a modern state. He also denied the reality of miracles and divine providence, reinterpreted the nature of prophecy, and made an eloquent plea for toleration and democracy. A vivid story of incendiary ideas and vicious backlash, A Book Forged in Hell will interest anyone who is curious about the origin of some of our most cherished modern beliefs. (shrink)

This article illustrates how during early modernity Italian and Dutch cultures and particularly artistic traditions contributed differently to both the theoretical and practical developments of science. To achieve this goal, it will firstly compare the two forms of detextualization of space operated by Italian artists and by Dutch artists. Finally, it will indicate how each detextualization allowed for the development within the science of the mathematical tradition by the Italian Culture and the experimental tradition by the Dutch (...) culture. (shrink)

In this "Dictionary," more than four hundred biographical entries encompass all the Dutch thinkers who exercised a major influence on the intellectual life of the Golden Age, as well as those who developed their ideas and beliefs through interaction with other scholars. Additional entries describe foreign philosophers who lived in the country temporarily and whose work was influenced by their stay. These include John Locke, Rene Descartes and Pierre Bayle.

Baruch Spinoza (1632-1677) was one of the most important philosophers of all time; he was also arguably the most radical and controversial. This is the first complete biography of Spinoza in any language and is based on detailed archival research. More than simply recounting the story of Spinoza's life, the book takes the reader right into the heart of Jewish Amsterdam in the seventeenth century and, with Spinoza's exile from Judaism, right into the midst of the tumultuous political, social, intellectual (...) and religious world of the young Dutch Republic. Though the book will be an invaluable resource for philosophers, historians, and scholars of Jewish thought, it has been written for any member of the general reading public with a serious interest in philosophy, Jewish history, seventeenth-century European history, and the culture of the Dutch Golden Age. Spinoza: A Life has recently been awarded the Koret Jewish Book Award. (shrink)

Murdering Animals confronts the speciesism underlying the disparate social censures of homicide and “theriocide”, and as such, is a plea to take animal rights seriously. Its substantive topics include the criminal prosecution and execution of justiciable animals in early modern Europe; images of hunters put on trial by their prey in the upside-down world of the Dutch Golden Age; the artist William Hogarth’s patriotic depictions of animals in 18th Century London; and the playwright J.M. Synge’s representation of parricide (...) in fin de siècle Ireland. Combining insights from intellectual history, the history of the fine and performing arts, and what is known about today’s invisibilised sites of animal killing, Murdering Animals inevitably asks: should theriocide be considered murder? With its strong multi- and interdisciplinary approach, this work of collaboration will appeal to scholars of social and species justice in animal studies, criminology, sociology and law. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Art in Social Studies: Exploring the World and Ourselves with RembrandtIftikhar Ahmad (bio)IntroductionRembrandt’s art lends itself as a fertile resource for teaching and learning social studies. His art not only captures the social studies themes relevant to the Dutch Golden Age, but it also offers a description of human relations transcending temporal and spatial frontiers. Rembrandt is an imaginative storyteller with a keen insight for minute details. (...) His narrative of the culture, society, economy, geography, and contemporary events of seventeenth-century Dutch life is as vivid and perceptive as a historian’s eloquent text. How people lived in community, how the city of Amsterdam functioned, how important religion was to people, how diverse and cosmopolitan the culture was, how interdependent the world was in the seventeenth century, and what the social and civic ideals of the Dutch people were during the Golden Age—Rembrandt’s paintings, etchings, and drawings neatly organize these and other social studies themes into visual messages. More importantly, our appreciation and interpretation of Rembrandt’s work helps us learn about not just Dutch society and culture of four hundred years ago but also about ourselves. The passion, emotions, conflicts, and inspirations of his subjects are essentially human and eternal, arousing empathy in every generation and cross-section of society. In this article I look at Rembrandt’s art for the purpose of teaching and learning social studies in our contemporary interdependent world—a world that is chronologically and geographically distant from the Dutch Golden Age but in many respects shares its enduring values, norms, ideals, pursuits, challenges, and possibilities. To do so, I employ a conceptual lens—the curriculum thematic strands of the National Council for the Social Studies (NCSS)—to examine Rembrandt’s art in order to explore life and make meaning of the story that is being told about the human condition, and to seek out its relevance to ourselves and [End Page 19] our world in the early twenty-first century. Although Rembrandt’s oeuvre is extensive, including the diverse genres of self-portraits, group portraits, drawings, etchings, landscapes, and religious themes, for our limited purpose I have selected only those works that, in my judgment, correspond with the following seven of the ten thematic curriculum strands of the NCSS:CultureTime, Continuity, and ChangePeople, Places, and EnvironmentIndividual Development and IdentityProduction, Distribution, and ConsumptionGlobal ConnectionsCivic Ideals and PracticesThese thematic curriculum strands are derived from the foundational disciplines of the social sciences and humanities such as anthropology, history, geography, sociology, political science, psychology, economics, philosophy, and law, but they are conceptually interrelated.1 For example, culture is a core concept in anthropology but it is also relevant to Time, Continuity, and Change, which is the main concept in the history discipline. Similarly, culture is relevant to the theme of People, Places, and Environment, which is the central focus of geography. More importantly, since social studies is about human experiences, there is a general consensus among the social studies educators that classroom teachers should draw content knowledge not just from the social sciences as mentioned here but from wide sources “to construct curricular experiences enabling students to actively relate new knowledge to existing understanding.”2 That is to say all fields of knowledge that are related to human civilization and that help in developing students’ skills in reflective thinking, decision making, and problem solving are relevant to social studies education. Those fields also include art. Rembrandt’s art is especially relevant because his themes are universal and the social, political, and economic contexts in which he created his work—globalization, individualism, and free enterprise—are more or less similar to our age.It needs to be mentioned that by looking at Rembrandt’s art from the social studies perspective it is not my intention to strip his work of its aesthetic scope and value. On the contrary, by looking at Rembrandt in the social studies classroom I seek to humanize social studies education itself. That [End Page 20] is to say I wish to step back from the conventional view of social studies to feel free from the bonds of traditionalism and discover, describe, analyze... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 381-395 [Access article in PDF] Minds, Forms, and Spirits: The Nature of Cartesian Disenchantment Han van Ruler What is Descartes's contribution to Enlightenment? Undoubtedly, Cartesian philosophy added to the conflict between philosophical and theological views which divided intellectual life in the Dutch Republic towards the end of its "Golden Age." 1 Although not everyone was as explicit as Lodewijk (...) Meyer, who said that his theological doubts were inspired by Descartes's philosophical method, Cartesianism along with Copernicanism, Socinianism, and Cocceianism played an important part in the growing skepticism towards the authority of Scripture. 2 Apart from Descartes's general method, however, specific Cartesian ideas encouraged a new view towards nature and towards God's role in governing it. In physics and physiology the new philosophy replaced the image of mind working on matter with the image of a self sufficient mechanism. This new causal metaphor led to a typically Cartesian form of "disenchantment." In this article I argue that on account of their approval of a Cartesian theory of causality, even authors with sincere religious motives came close to accepting radical and nearly Spinozistic ideas. I start with disenchantment in a very literal sense: Balthasar Bekker's denial of the activities of devils, angels, and other spirits. A comparison of Bekker's arguments with those of another Cartesian, Arnold Geulincx will, I hope, bring out the nature and importance of what I shall present as [End Page 381] Descartes's "mechanical reduction" in physics. Finally, I argue that the Cartesian separation of mind and body gave rise to a form of disenchantment that reached far beyond contemporary debates. Devils, Ghosts, and God's Omnipotence Balthasar Bekker's classic book The World Bewitched (1691-93) does not so much deal with the practice of sorcery as with its theory. Bekker offers a wide range of theological and philosophical arguments in order to combat the idea that ghosts, devils, and angels influence natural or historical events. In particular Bekker draws some important conclusions from the philosophy of Descartes. Yet it is immediately clear to the reader that the motives for his critique are religious rather than philosophical. 3 The World Bewitched is not written as a scientific assault on superstition. Bekker, at the time serving as a Calvinist minister in Amsterdam, presents his work as a new and perhaps final phase in the perfection of Christianity. For two centuries it had been a goal of the Protestant Reformation to accentuate God's majesty and to establish the idea of His absolute power over creation. Bekker's World again expresses this idea. His denial that ghosts and devils are active in the world is a logical consequence of the belief that there is no room for demigods in nature. Bekker thus adds a final touch to the project of the Reformation. The World Bewitched will testify to the fact "that I return as much of the honor of His Power and Wisdom to the Almighty, as they took from Him who gave it to the Devil. I ban [the Devil] from the World and I bind him in Hell." 4 Removing devils and spirits from nature, Bekker aims to distinguish superstition from true faith. The battle against superstitious beliefs had formed a characteristic element of Protestant tactics. Dutch Calvinists, for instance, took offense at the continuing practices of blessings and incantations. 5 Bekker wanted to go even further. The Protestantization of Christian dogma could only be completed by making everything in nature's course depend on God's unique power and providence. 6 "Science" in our sense of the word was a subsidiary matter. 7 Still, Bekker saw the new scientific theories of his day as useful allies. In particular it was the new philosophy of Descartes that attracted him. Following Descartes, Bekker reasons "that I think, that I will, [End Page 382] [and] that I understand something," without any part of my body being involved in this type of consciousness. Mind and body in fact have nothing in common: My... (shrink)

J. H. van 't Hoff's 1874 Dutch pamphlet, in which he proposed the spatial arrangement of atoms in a molecule, is one of the most significant documents in the history of chemistry. This essay presents a new narrative of Van 't Hoff's early life and places the appearance of the pamphlet within the context of the 'second golden age' of Dutch science. We argue that the combination of the reformed educational system in The Netherlands, the emergence of (...) graphical molecular modelling within the theoretical and practical culture of chemistry during the 1860s and 1870s, as well as Van 't Hoff's own personal research trajectory, formed the background to his unprecedented attribution of spatial meaning to the traditional concept of atomic 'arrangement'. We also present a new English translation of the pamphlet, for we have found that the existing translation, published by G. M. Richardson in 1901, contains many errors, changes and omissions. The new version offers a more accurate rendition in English of Van 't Hoff's style and argument. (shrink)

Jan Westerhoff unfolds the story of one of the richest episodes in the history of Indian thought, the development of Buddhist philosophy during the first millennium CE. He aims to offer the reader a systematic grasp of key Buddhist concepts such as non-self, suffering, reincarnation, karma, and nirvana.

We would be wrong to state that Plato’s approach to the Golden Age in the Statesman occurs through nostalgia, even if he stresses the immense distance between our world and that blessed time. After evoking the shepherd-god as a ruler, Plato shows that the completely abandoned disposition of the ruled is only justifiable in presence of an unbridgeable chasm between the two, such as that between gods and men, or men and beasts. The real question in the Statesman is (...) how to single out the peculiar form of knowledge possessed by the few men that are truly capable to rule. (shrink)

Was there ever a golden age of academe: a time when academics were able to pursue their own interests, had relatively light and undemanding teaching responsibilities, and enjoyed widespread respect from both the general public and policy makers? This article explores that question, primarily in the context of the United Kingdom, but with some reference to other systems as well. It attempts to separate the mythical elements of the golden age from the reported memories and analyses of both (...) those who were there at the time and subsequent authors. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 381-395 [Access article in PDF] Minds, Forms, and Spirits: The Nature of Cartesian Disenchantment Han van Ruler What is Descartes's contribution to Enlightenment? Undoubtedly, Cartesian philosophy added to the conflict between philosophical and theological views which divided intellectual life in the Dutch Republic towards the end of its "Golden Age." 1 Although not everyone was as explicit as Lodewijk (...) Meyer, who said that his theological doubts were inspired by Descartes's philosophical method, Cartesianism along with Copernicanism, Socinianism, and Cocceianism played an important part in the growing skepticism towards the authority of Scripture. 2 Apart from Descartes's general method, however, specific Cartesian ideas encouraged a new view towards nature and towards God's role in governing it. In physics and physiology the new philosophy replaced the image of mind working on matter with the image of a self sufficient mechanism. This new causal metaphor led to a typically Cartesian form of "disenchantment." In this article I argue that on account of their approval of a Cartesian theory of causality, even authors with sincere religious motives came close to accepting radical and nearly Spinozistic ideas. I start with disenchantment in a very literal sense: Balthasar Bekker's denial of the activities of devils, angels, and other spirits. A comparison of Bekker's arguments with those of another Cartesian, Arnold Geulincx will, I hope, bring out the nature and importance of what I shall present as [End Page 381] Descartes's "mechanical reduction" in physics. Finally, I argue that the Cartesian separation of mind and body gave rise to a form of disenchantment that reached far beyond contemporary debates. Devils, Ghosts, and God's Omnipotence Balthasar Bekker's classic book The World Bewitched (1691-93) does not so much deal with the practice of sorcery as with its theory. Bekker offers a wide range of theological and philosophical arguments in order to combat the idea that ghosts, devils, and angels influence natural or historical events. In particular Bekker draws some important conclusions from the philosophy of Descartes. Yet it is immediately clear to the reader that the motives for his critique are religious rather than philosophical. 3 The World Bewitched is not written as a scientific assault on superstition. Bekker, at the time serving as a Calvinist minister in Amsterdam, presents his work as a new and perhaps final phase in the perfection of Christianity. For two centuries it had been a goal of the Protestant Reformation to accentuate God's majesty and to establish the idea of His absolute power over creation. Bekker's World again expresses this idea. His denial that ghosts and devils are active in the world is a logical consequence of the belief that there is no room for demigods in nature. Bekker thus adds a final touch to the project of the Reformation. The World Bewitched will testify to the fact "that I return as much of the honor of His Power and Wisdom to the Almighty, as they took from Him who gave it to the Devil. I ban [the Devil] from the World and I bind him in Hell." 4 Removing devils and spirits from nature, Bekker aims to distinguish superstition from true faith. The battle against superstitious beliefs had formed a characteristic element of Protestant tactics. Dutch Calvinists, for instance, took offense at the continuing practices of blessings and incantations. 5 Bekker wanted to go even further. The Protestantization of Christian dogma could only be completed by making everything in nature's course depend on God's unique power and providence. 6 "Science" in our sense of the word was a subsidiary matter. 7 Still, Bekker saw the new scientific theories of his day as useful allies. In particular it was the new philosophy of Descartes that attracted him. Following Descartes, Bekker reasons "that I think, that I will, [End Page 382] [and] that I understand something," without any part of my body being involved in this type of consciousness. Mind and body in fact have nothing in common: My... (shrink)

Digital and analog: What do these terms mean today? The use and meaning of such terms change through time. The analog, in particular, seems to go through various phases of popularity and disuse, its appeal pegged most frequently to nostalgic longings for nontechnical or romantic modes of art and culture. The definition of the digital vacillates as well, its precise definition often eclipsed by a kind of fever-pitched industrial bonanza around the latest technologies and the latest commercial ventures. One common (...) response to the question of the digital is to make reference to things like Twitter, Playstation, or computers in general. Here one might be correct, but only coincidentally, for the basic order of digitality (the digitality of digitality) has not yet been demonstrated through mere denotation. And the second question—the question of the analog—is harder still, with responses often also consisting of mere denotations of things: sound waves, the phonograph needle, magnetic tape, a sundial. At least denotation itself is analogical. This article will aim to define the analog explicitly and argue, perhaps counterintuitively, that the golden age of analog thinking was not a few decades past, prior to the wide-spread adoption of the computer. In fact, the fields of structuralism and poststructuralism that emerged in the middle to late twentieth century, concurrent with the deployment of the digital computer, were characteristically digital, what with their focus on the symbolic order and logical economies. If anything, the golden age of analog is happening today, all around us, as evidenced by the proliferation of characteristically analog concerns: sensation, materiality, experience, affect, ethics, and aesthetics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Spinoza, Liberalism, and the Question of Jewish Identity by Steven B. SmithSteven NadlerSteven B. Smith. Spinoza, Liberalism, and the Question of Jewish Identity. New Haven: Yale University Press, 1997. Pp. xvii + 270. Cloth, $30.00.Steven B. Smith’s aim in this elegant, well-written book is to restore Spinoza to his important and rightful place in the history of political and religious thought. At the heart of the book is (...) a discussion of the central themes of the Theological-Political Treatise, with a good deal of attention given both to Spinoza’s other writings and to other political thinkers such as Machiavelli and Hobbes, as well as to the immediate historical situation in the mid-seventeenth-century Dutch Republic. But this is more than just a commentary on a work that for a long time has largely (and unjustly) been ignored by philosophers. Smith has a full appreciation of the radical nature of the Treatise, and uses it to bring out what is peculiarly fascinating about Spinoza’s religious and political ideas.According to Smith, it was Spinoza who first made the “Jewish Question”—the problem of how the Jews, after centuries of separation and ghettoization, can be granted admission to, and even assimilation into, the modern polity—central to reflection on the “theological-political problem,” that is, the problem of the place and role of religion in the state. Smith sees Spinoza’s solution to both problems in the process of secularization. Jews must, in order to become an integrated part of modern society, shed their ancient, traditional identity; Judaism has to be transformed from “an authoritative body of revealed law into what today would be called a modern secular identity” (xiii). The allegiance of Jews must be transferred from the Law to laws, from a life of halakhic (or Jewish legal) ritual to a life focussed on nonsectarian, civil and social duties. Particularism—and this would be true of all historical religious identities that will, ideally, be absorbed into the modern state—must be exchanged for universalism.Smith shows how Spinoza’s thinking on the Jewish question is intimately bound up with his particular political philosophy. He argues, in fact, that the Treatise represents the “first and most profound expression of the Jewish-liberal symbiosis that has survived to the present.” For the kind of polity that will make Jewish emancipation possible and foster the emergence of a modern, secular, nonparticularistic Jewish identity is the democratic, liberal state. But if liberalism, through its offer of toleration and participation, nourishes modern Judaism, it is no less true, Smith claims, that it has taken its own sustenance from Jewish traditions. Rabbinic Judaism, with its emphasis on law, has long served as a model for classical liberal thought.Spinoza himself is, in Smith’s eyes (although Smith is certainly not the first to suggest this) the “prototype” of the modern emancipated Jew, liberated from (and even critical of) religious tradition and authority. He is, in other words, the first “secular Jew.” Amsterdam, meanwhile, with its linked traditions of toleration and commerce, is the prototype of the modern, liberal society, one that both offers the conditions for Jewish emancipation and is ever vigilant against interference from ambitious religious authorities. Smith does not really take note of the fact that Dutch society in the Golden Age, with its rigid system of regent families controlling the all-important municipal governments, was far from democratic. And it seems to me misleading to speak of Spinoza as a “secular Jew.” Spinoza seems to have liberated himself—with a [End Page 321] little help from his congregation’s rabbis—not only from an orthodox conformity to Jewish traditions, but from any sense of Jewish identity whatsoever. Perhaps it might be more accurate to call Spinoza the “first secular citizen.”One of the more contentious claims of Smith’s book is his insistence that Spinoza’s Treatise contains an esoteric dimension, an intentionally hidden doctrine that only the most careful readers could ascertain. Part of the defense of this Straussian model is the identification of “deliberate contradictions” in the text. I, for one, do not see any esoteric doctrines in the Treatise; nor... (shrink)

The virtual is just the latest expansion of human craving for meaning and it is brimming with opportunities: mostly symbolic, nonetheless, real. Thinking, presenting ormanipulating a situation has always been dependent on the symbolic operations (Mircea Eliade, Raoul Girardet, Lucian Blaga, Camil Petrescu, Ernst Cassirer), on the uses andabuses of the referential and condensed symbols (Murray Edelman). At the same time, such operations are not reserved entirely to politics. In our virtually expanded contemporarylives, we relate to symbolic meanings, either consciously (...) or not. As Slavoj Zizek noticed: “Behind the realities there are phantasies and behind the phantasies, realities.” Baudrillard’s ecstasy of communication and simulacra present the offer of a golden ageopen for individuals and politicians alike. The enemies are clear and the saviours, too. Justlike decorations hanging in the virtual window here there are the (slightly) cosmeticized images of ourselves carved as individual persona representations, or, as the solution messages for the current problems, prompt as a soft form of political management. All these symbolic décors in the virtual malls that we visit and consolidate are symbolic attemptsto approximate the golden age as we can “see” it, in our human everlasting aspirationsfor success and prosperity, for stability, communion and, possibly, peace. (shrink)

The idea of a returning golden age is widely understood and commonly presented both as a staple of Augustan propaganda and as a pervasive aspiration of Augustan society. TheCarmen Saeculare—an official commission for a public festival—is presented as a means by which the regime proclaimed to an enthusiastic populace the imminent renascence of the golden race. The aim of this article is to draw attention both to thefailureof theCarmen Saeculareexplicitly to proclaim the renascence of the race, and to (...) the critique implicit in the poem of the very idea of a renascence. The golden race, according to this reading, might be undesirable on account of its very goldenness. The golden race was the subject of a complex myth at the centre of a complex discourse: neither the ‘official’ nor the popular response to the idea of its return can have been as simple as they are frequently portrayed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:...

The Golden Age of Philosophy of Science, 1945 to 2000 offers the reader a guide to the major philosophical approaches to science since World War Two. Considering the bases, arguments and conclusions of the four main movements - Naturalism, Descriptivism, Foundationalism, and Logical Reconstructionism - John P. Losee explores how philosophy has both shaped and expanded our understanding of science. The volume features major figures of twentieth century science, and engages with the work of previous philosophers of science, including (...) Norman Campbell, Ernest Nagel, Rudolf Carnap, Karl Popper, Richard Dawkins, and John Worrall. In particular, The Golden Age of Philosophy of Science, 1945 to 2000 aims to answer the following questions: should philosophy of science be a prescriptive discipline? Can philosophy of science achieve normative status without designating evaluative principles? How should competing philosophies of science be balanced? And finally, how can understanding the history of science aid us in analyzing the philosophy of science? In answering these questions, this book shows us why we understand science the way we do. The Golden Age of Philosophy of Science 1945 to 2000 is essential reading for students and researchers working in the history and philosophy of science. (shrink)

This collection focuses on the introduction of phenomenology to the United States by the community of scholars who taught and studied at the New School for Social Research from 1954 through 1973. During those years, Dorion Cairns, Alfred Schutz, and Aron Gurwitsch--all former students of Edmund Husserl--came together in the department of philosophy to establish the first locus of phenomenology scholarship in the country. This founding trio was soon joined by three other prominent scholars in the field: Werner Marx, Thomas (...) M. Seebohm, and J. N. Mohanty. The Husserlian phenomenology that they brought to the New School has subsequently spread through the Anglophone world as the tradition of Continental philosophy. The first part of this volume includes original works by each of these six influential teachers of phenomenology, introduced either by one of their students or, in the case of Seebohm and Mohanty, by the thinkers themselves. The second part comprises contributions from twelve leading scholars of phenomenology who trained at the New School during this period. The result is a powerful document tracing the lineage and development of phenomenology in the North American context, written by members of the first two generations of scholars who shaped the field. Contributors: Michael Barber, Lester Embree, Jorge García-Gómez, Fred Kersten, Thomas M. T. Luckmann, William McKenna, J. N. Mohanty, Giuseppina C. Moneta, Thomas Nenon, George Psathas, Osborne P. Wiggins, Matthew M. Seebohm, and Richard M. Zaner. (shrink)

This volume portrays the Polish or Lvov-Warsaw School, one of the most influential schools in analytic philosophy, which, as discussed in the thorough introduction, presented an alternative working picture of the unity of science.

In his book The Ethical Project Philip Kitcher presents an ‘analytical history’ of the development of human ethical practice. According to this history the first ethical norms were launched in the ancient world of the hunters and gatherers and their initial function was to remedy altruism failures. Kitcher wants to show that the emergence of ethical norms can in this case and in general be explained without referring to supernatural causes or philosophical revelation. Furthermore, he claims that the first manifestation (...) of the ethical project still serves as an ideal. In my comment I will contest the plausibility of Kitcher’s analytical history and question whether the presumed characteristics of ethics in prehistoric times could still be binding for us today. (shrink)

The University of Warsaw has a splendid modern library with 60,000 m 2 of floor space. It resembles a shopping centre. The long and elegant modern building on ulica Dobra, on the low ground between the old University and the Vistula, was opened in 1998 replacing the previous hopelessly inadequate facilities. It has an imposing sequence of copper-green “great texts” on its front side in Greek, Arabic, Sanskrit, Hebrew, Latin, Polish, music, and mathematics. These are international symbols, posting Warsaw’s claim (...) to international status. But inside, once one has passed the mall -like coffee-shop. (shrink)